Konzervatorsko-restauratorski radovi na slici i ukrasnom okviru slike "Sv. Antun Padovanski s malim Isusom", nepoznatog autora, iz privatnog vlasništva

master's thesis

• Author: Ivana Guljelmović
• Mentor: Tamara Ukrainčik (mentor)
• Committee member: Barbara Horvat Kavazović (predsjednik povjerenstva)
• Committee member: Suzana Damiani (član povjerenstva)
• Committee member: Jagor Bučan (član povjerenstva)
• Granter: University of Zagreb; Academy of Fine Arts; (Department of Conservation and Restoration); Zagreb
• Defense date and country: 2019-09-25, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Fine Arts

Abstract

U ovom diplomskom radu su opisani tijek i postupci konzervatorsko-restauratorskih radova provedeni na slici "Sv. Antun Padovanski s malim Isusom", nepoznatoga autora iz 18./19. stoljeća. Umjetnina se nalazi u privatnom vlasništvu obitelji Reis, a tijekom tretmana bila je pohranjena na Odsjeku za konzerviranje i restauriranje umjetnina na Akademiji likovnih umjetnosti, Sveučilišta u Zagrebu.
U dogovoru s vlasnicom, gospođom Jasminom Reis, odlučeno je da će se provesti cjeloviti konzervatorsko-restauratorski radovi na slici, no veliku nedoumicu prilikom prijedloga radova predstavljao je stari podokvir koji je bio zalijepljen na sliku. Razmatrana je mogućnost očuvanja izvornoga podokvira i njegovo zadržavanje na slici. Unatoč njegovoj povijesnoj vrijednosti, nije bilo sigurno hoće li zahvati na njemu dati zadovoljavajuće rezultate, vratiti mu čvrstoću i funkciju, pa je odlučeno izraditi novi podokvir.
Konzervatorsko-restauratorsku dokumentaciju ovoga rada čine pisani i fotografski zapisi, povijesno-umjetnička arhiva i istraživanja, dijagnostička ispitivanja i konzervatorsko- restauratorski tretmani.
U poglavlju Konzervatorsko-restauratorska istraživanja navedeni su opći podaci o umjetnini, povijesno-umjetnička arhiva i istraživanja, ikonografska analiza, prijedlog radova te zatečeno stanje i uzroci propadanja umjetnine.
U cjelini Identifikacija materijala i analize opisane su metode dijagnostičkih ispitivanja u svrhu identifikacije vrste platna, osnove, laka i sastava prljavštine iz poleđine platna. Također, provedena je stratigrafska analiza poprečnoga presjeka uzoraka slikanoga sloja te su ispitani svi pigmenti.
Radovi provedeni na slici i ukrasnom okviru predstavljeni su u poglavlju Konzervatorsko-restauratorski radovi. Sustavno su fotodokumentirani i opisani po fazama rada. Najzahtjevniji su radovi bili prilikom čišćenja poleđine platna, no uz dostupnu literaturu, omogućena sredstva te stručno vodstvo postignuti su zadovoljavajući rezultati nakon čišćenja. Izvedeni radovi na slici popraćeni su temeljitom pisanom, grafičkom i fotografskom dokumentacijom, a slika će nakon radova biti vraćena vlasnici.

Abstract (english)

This thesis describes the procedure of conservation-restoration work which is done on the painting St. Anthony of Padua with the Infant Christ by an unknown author from the 18th /19th centuries. The work of art comes from a private property of family Reis and during the treatment/restoration it was stored in the Department for Conservation and Restoration of Works of Art at the Academy of Fine Arts in University of Zagreb.
In consultation with the owner, Mrs. Jasmina Rais, it was decided to go on a complete renovation of the painting, but the great dilemma was with the subframe which was glued on the painting, so it was considered that maybe it was better to preserve the subframe and not remove it from the painting. In spite of the strainer frame's historical value, it was not safe to say that the interventions would give satisfying results, restoring it' s firmness and function so it was decied to make a new frame.
Conservation-restoration documentation of the thesis consists of the written and photographed record, art history archive and research, diagnostic testing and conservation-restoration treatment.
The section Conservation-restoration researches has all of the general informations about the painting, it's art history archive and research, iconographic analysis, the proposal of work, current situation of the painting and causes of deterioration.
In the part of the thesis, Identification of the materials and analysis, described are the methods of the diagnostic researches with a goal to identify type of canvas, base, varnish and the compostion of the dirt at the back fo the canvas. Also, a stratigraphic cross-sectional analysis was performed on the sample of the painted layer and all the pigments.
Interventions that were made on the painting and on the decorative frame were systematically photo-documented and described in stages of work, in chapter Conservation-restoration's work. The most demanding part of restoration was during the cleaning of the back of the canvas, but with the available literature, adequate funds and a professional mentorship satisfying results were obtained after cleaning. The works performed on the painting have been corrected with basic written, graphic and photographic documentation. At the end, painting will be returned to the owners.

• Keywords: sv. Antun Padovanski; štafelajna slika; konzervatorsko-restauratorski radovi; čišćenje poleđine; ukrasni okvir
• Keywords (english): St. Anthony of Padua; easel painting; conservation and restoration works; cleaning of the back; decorative frame
• Language: croatian
• URN:NBN: urn:nbn:hr:215:486465
• Study programme: Title: Conservation and Restoration; specializations in: Painting, Sculpture; Course: Painting; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra restauriranja i konzerviranja umjetnina (magistar/magistra restauriranja i konzerviranja umjetnina)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2020-04-09 09:31:33