| Sažetak | U doktorskom istraživanju Redefinicija skulpture upotrebom suvremenih materijala kroz teorijsko istraživanje pojašnjen je povijesni slijed, djelovanje materijala na skulpturu i posljedično mijenjanje značenja skulpture. Shvaćeni su čimbenici malih promjena u zapadnoj skulpturi, od renesanse do 20. stoljeća te se razumije da je skulptura prije 20. stoljeća uvelike bila dio arhitekture, da se predstavlja u vidu totema, spomenika, da je definirana akademizmom i zanatom, ali u 20. stoljeću skulptura se autonomizira jer skulptura proizlazi iz rekonstrukcije društva nakon industrijske revolucije poletom materijala i tehnologije te tako dobiva kompleksniju funkciju, a kipari se počinju susretati s pitanjima mjesta, forme, konstrukcije i materijala. Iz navedenoga, umjetničko istraživanje Redefinicija skulpture upotrebom suvremenih materijala kreće od istraživačkih pitanja koji su to ključni momenti u povijesti u kojima je materijal utjecao na razvoj skulpture ili promjenu njene definicije, koji se novi materijali koriste od sredine 20. stoljeća do danas i koja su njihova obilježja koja omogućavaju njihovu upotrebu u skulpturi. U ovom se radu također istražuje i koji materijali imaju potencijal korištenja u budućnosti i kako se skulptura redefinirala upotrebom suvremenih materijala te kako materijal može inovirati skulpturu. Polazeći od priloženih istraživačkih pitanja, cilj je ovoga umjetničkog istraživanja razumjeti na koji način primjena suvremenih materijala redefinira pojam skulpture i širi likovne izraze kroz prošlost umjetnosti, kroz vrste i svojstva tehničkih materijala, kroz primjere hrvatskih i inozemnih umjetnica i umjetnika te kroz vlastiti umjetnički rad kao prikaz upotrebe suvremenih materijala i eksperimenta. U korelaciji istraživačkih pitanja i cilja istraživanja ustanovljena je hipoteza istraživanja da upotreba suvremenih materijala i tehnologije mijenja definiciju skulpture i otvara nove mogućnosti likovnog izražavanja što je osobito istraženo kroz vlastiti umjetnički rad autorice Margarete Lekić. Prikazanom serijom skulptura Gumeni beton autorica istražuje umjetnički eksperiment i novi kiparski materija |
| Sažetak (engleski) | In the doctoral research Redefinition of Sculpture using contemporary materials, historical moments in which material influenced the change in the definition of sculpture were clarified through theoretical research, materials used since the mid-20th century and materials that have the potential to be used in sculpture. Factors of small changes are understood in the western sculpture, from the Renaissance to the 20th century, and it is clear that before the 20th century, sculpture was largely part of the architecture, it was represented in the form of totems, monuments and defined by academism and craftsmen. However, in the 20th century, sculpture is independent because it arises from the reconstruction of society after the industrial revolution, the prosperity of materials and technology, therefore it acquires a more complex definition, and the sculptors begin to encounter issues of place, form, construction and materials. From the aforementioned, artistic research Redefinition of sculpture using contemporary materials begins with the research questions: what are the key moments in history in which material influenced the development of sculpture or the change in its definition, which new materials have been used since the mid-20th century until the present and what are the characteristics that enable their use in sculpture, or which materials have the potential to be used in the future, in what way has sculpture been redefined using modern materials and how can material innovate sculpture? Starting from the indicated research questions, the aim of this artistic research is, through the art history, the types and characteristics of technical materials, through examples of Croatian and foreign artists and through author's own artwork, as an overview of the use of modern materials and experiments, to understand how the application of modern materials redefines the concept of sculpture and expands artistic expressions. In the correlation between research questions and the research goal, a hypothesis that the use of modern materials and technology changes the definition of sculpture and opens up new possibilities of artistic expression was established. Primarily explored, in this doctoral research, is the artwork of Margareta Lekić. It is presented with Rubber Concrete series of sculptures, in which the author explores the art experiment and new sculpture material. |
