Konzervatorski - restauratorski radovi na drvenoj polikromiranoj skulpturi Sv. Emerik iz franjevačkog samostana u Cerniku, te kratki osvrt na prikaz teme Sveta tri kralja kroz povijest

master's thesis

• Author: Anamarija Vučak
• Mentor: Andrej Aranicki (mentor)
• Committee member: Zvjezdana Jembrih (predsjednik povjerenstva)
• Committee member: Alen Novoselec (član povjerenstva)
• Committee member: Dora Kovačević (član povjerenstva)
• Granter: University of Zagreb; Academy of Fine Arts; (Department of Conservation and Restoration); Zagreb
• Defense date and country: 2017-07-05, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Fine Arts

Abstract

Diplomski rad sastoji se od opisanih konzervatorsko-restauratorskih radova na polikromiranoj drvenoj skulpturi „Sv. Emerik“ te teorijskog dijela u kojem se kroz kratak osvrt obrađuje prikaz teme „Sveta tri kralja“ kroz povijest. Skulptura „Sv. Emerik“ nalazila se u franjevačkom samostanu u Cerniku, preuzeta je 27.10.2016. te je dopremljena na Odsjek za konzerviranje i restauriranje umjetnitna (OKIRU). Skulptura je potom odvezena na dezisenkciju gama zračenjem na Institut Ruđer Bošković, te vraćena na OKIRU gdje je detaljnije pregledana i fotografirana. Zatim su provedena povijesno-umjetnička istraživanja te potrebni konzervatorsko-restauratorski radovi. „Sv. Emerik“, polikromirana pozlaćena i posrebrena rezbarena drvena skultpura iz 18. stoljeća, djelo je radionice biskupa Branjuga. Prikazuje mladolikog muškarca bez brade u stajaćem položaju (kontrapost), ima krunu na glavi, ogrnut je oko ramena sa širokim krznenim (hermelin) ovratnikom, s plaštem ukrašenim ornamentima. Prema podacima iz knjige „Franjevci u Cerniku“, autora Julije Jančula, skulptura se nalazila ispred prijašnjeg (izvornog) glavnog oltara uz skulpture mađarskih kraljeva Stjepana i Ladislava te francuskog kralja Ljudevita, no one su uklonjene sa sadašnjeg oltara sv. Petra i zamijenjene s tirolskim skulpturama. Sada se te uklonjene skulpture nalaze u ostavi franjevačkog samostana, u neprikladnim uvjetima. Skulptura „Sv. Emerik“ je zatečena u relativno lošem stanju. Očuvan je jako mali postotak polikromije, pozlate i posrebrenja izvornog sloja kao i preslika. Prisutna su oštećenja na drvenom nosiocu, vidljiva je crvotočina, nedostaju obje podlaktice i dijelovi stopala. Na skulpturi nalazimo dva kronološka sloja pozlate. Eventualni prethodni konzervatorskorestauratorski radovi na skulpturi se ne nalaze. Prije početka radova skulptura je fotografski dokumentirana. Konzervatorsko-restauratorski radovi izvedeni su u opsegu tzv. muzealnog pristupa što podrazumijeva uglavnom samo postupke konzerviranja. Drveni nosilac skulpture je očišćen, dijelovi nestabilne polikromije odnosno oslika su podlijepljeni i očišćeni, isto tako i pozlata te kredno-tutkalna osnova. Drveni nosilac je u relativno dobrom i čvrstom stanju, konsolidiran je mjestimično na trusnim dijelovima. Dino-Lite mikroskopom pregledana su mjesta oštećenja odnosno nedostataka polikromije i pozlate (lacune) kako bi se ustanovila stratigrafija skulpture. Zatim su uzeti mikrouzorci za FTIR analize. Kratki osvrt na prikaz teme „Sveta tri kralja“ kroz povijest je teorijski dio ovog diplomskog rada, koji će ukratko biti opisan kroz povijesna razdoblja, te s naglaskom na ikonografski opis.

Abstract (english)

Graduate work consists of the described conservation and restoration works on the polycromed wooden sculpture "Sv. Emerik" (St. Emeric) and the theoretical part in which a brief review of the theme of "The Three Kings" is presented through history. Sculpture "Sv. Emerik" was located in the Franciscan monastery in Cernik, on 27.10.2016. it was transported to the Department of Conservation and Restoration of Art (OKIRU). The sculpture was then transported to disinfestation by gamma radiation at Ruđer Bošković Institute, and returned to OKIRU where it was examined and photographed in detail. Then, historical-artistic research and the necessary conservation and restoration works were carried out. "Sv. Emerik", a polycromatized, gold-plated and silver-plated carved wooden sculpture from the 18th century, is the work of bishop Branjug workshop. Shows a young, chinless man in a standing position, he has a crown on his head, wide fur collar wrapped around his shoulder and ornamented mantle. According to the book "The Franciscans in Cernik",written by author Julije Jančula, the sculpture was in front of the previous (original) altar with the sculptures of the hungarian kings Stjepan and Ladislav and french king Ljudevit, but they were removed from the present altar of St. Peter and replaced with Tyrolean sculptures. Now these removed sculptures are left in the Franciscan monastery's pantry under inappropriate conditions. Sculpture "Sv. Emerik"is found in a relatively poor condition. There is a very small percentage of polychromy, gilt and silver plating of the original layer as well as overpaint. There are damage on the wooden carrier, visible wormholes, both forearms and parts of feet are missing. On the sculpture we find two chronological layers of gilding. Possible previous conservation and restoration works on sculpture are not found. Prior to the commencement of sculpture work, it was photographed. Conservation and restoration works were carried out in the so-called "Museum approach", which mostly involves only conservation procedures. The wooden caretaker of the sculpture was cleaned, parts of unstable polychromy are covered and cleansed, as well as gildes and chalk-animal glue background. The wooden carrier is in a relatively good and solid state, it is consolidated on the unstable parts. The Dino-Lite microscope examined the places of sculpture damage. Then micro-samples were taken for FTIR analysis. A brief review of the theme of "The Three Kings" throughout history is the theoretical part of this graduate thesis, which will briefly be described through historical periods and with an emphasis on iconographic descriptions.

• Keywords: polikromirana drvena skulptura; pozlata; Sveta tri kralja; sv. Emerik; konzerviranje i restauriranje; franjevački samostan; Cernik
• Keywords (english): polychromed wooden sculpture; gilding; Holy Three Kings; St. Emeric; conservation and restoration; Franciscan monastery; Cernik
• Language: croatian
• URN:NBN: urn:nbn:hr:215:053592
• Study programme: Title: Conservation and Restoration; specializations in: Painting, Sculpture; Course: Sculpture; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra restauriranja i konzerviranja umjetnina (magistar/magistra restauriranja i konzerviranja umjetnina)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2018-06-19 10:55:41